Italian Painter, 1527-1596 Painter and architect. Pellegrino Tibaldi's early paintings show the influence of Bagnacavallo and of other Bolognese followers of Raphael, but his actual teacher is unknown. Vasari's claim that his own works in S Michele in Bosco, Bologna, formed Tibaldi's artistic education is hardly borne out by the latter's first efforts. The Mystic Marriage of St Catherine (c. 1545; Bologna, Pin. N.) is, in its classical, hierarchical simplicity, clearly inspired by Raphael's manner as interpreted by his Bolognese imitators; although it also bears delicate marks of Parmigianino's grace, the power of its expressive dignity and the architectural background hint at Tibaldi's future development. Tibaldi's Adoration of the Shepherds  Related Paintings of TIBALDI, Pellegrino :. | Gathering the Manna | Adoration of the Christ Child | Adoration of the Christ Child gi | La Sacra Famiglia con Santa Caterina d'Alessandria di Pellegrino Tibaldi e un quadro | Marty of St.Lawrence |
Related Artists:
Max Joseph Wagenbauer
Maximilian Joseph Wagenbauer (1775 Grafing - 1829 Munich), was a Bavarian artist. After finishing school, Wagenbauer attended drawing classes in Munich, under Johann Jakob Dorner the Elder (1741-1813). At the turn of the 19th century he was producing mostly Neo-Classical watercolour landscapes. He served in the military from 1797 to 1801, receiving a royal artist's annuity after his service through the influence of Johann Christian von Mannlich (1741-1822), architect and general building director of the dukes of Zweibre-ken. A condition of the royal stipend was that he produce paintings. He was appointed artist to the court and cabinet in 1802 and Inspector of the Royal Paintings Gallery in 1815. Wagenbauer focused increasingly on oil painting after 1810 and enjoyed the patronage of Maximilian I Joseph of Bavaria, who in 1811 commissioned him, Cantius Dillis (1779-1856) and Johann Jakob Dorner the Younger (1775-1852) to decorate the banquet hall at Schloss Nymphenburg with large paintings of Bavarian lakes.
Jan Philip van Thielen
(Mechelen, 1618 - Mechelin, 1667) was a Flemish Baroque painter who specialized in flowers. Van Thielen was the son of a minor nobleman and eventually assumed the title of Lord of Couwenberch. In 1631 or 1632 he began studying at the age of thirteen with his future brother-in-law, the history painter Theodoor Rombouts (1597-1637), and in 1641 he commenced his studies with the flower painter Daniel Seghers (1590-1661). According to Houbraken (who mistakenly wrote his birth year as 1681 instead of 1618), his reputation during his lifetime was such that he received patronage from the Spanish crown,
Peter Tillemans
Flemish Painter, ca.1684-1734 was a Flemish painter, best known for his works on sporting and topographical subjects. Alongside John Wootton and James Seymour, he was one of the founders of the English school of sporting painting. From 1708 until his death he lived and worked in England. Tillemans was born in Antwerp in c. 1684, the son of a diamond-cutter, and studied painting there under various masters. As he was the brother-in-law of another Flemish painter, Pieter Casteels, it is assumed that he married before leaving Antwerp. Like other artists from the Low Countries such as Dirk Maas, Jan Wyck and William van de Velde, Tillemans moved to England. In Tillemans's case he moved in 1708, induced to do so by a picture-dealer called Turner: he spent the rest of his life working there. In his Sportsmen in a Landscape (1971), Aubrey Noakes offers this description of Tillemans: If we may judge from his success Tillemans was a socially agreeable and charming man. A portrait of him reveals that he was a gentle, friendly-looking fellow, with long curling hair, presumably his own and not a wig, such as was commonly worn by members of the upper and professional classes in the late eighteenth century. A chronic sufferer of asthma, Tillemans retired to Richmond "on account of his ill state of health". He died at the house of Dr Cox Macro (1683?C1767, later chaplain to George II) in Little Haugh Hall, in Suffolk, on 5 December 1734 (the previous day he "had been busy on a horse portrait") and was buried on 7 December at Stowlangtoft. His collection of paintings had been sold in an auction conducted by Dr Macro on 19 and 20 April 1733 and included paintings by James Tillemans, probably a son or other relation,